Kernel for outlook keygen idm. Hi, i already own a Fender Mustang labelled 'Crafted in Japan' with a serial starting with 'S' and i need to buy another one for my daughter. The one i've found is labelled 'Made in Japan' with a serial number starting with JD13+6 numbers. I think it's from 2013 and i'd like to know if this guitar are as good as the old ones which were 'crafted in Japan' instead of MIJ (I don't talk about the first japan guitars which were also labelled MIJ but only about the MIJ guitars build in 2013/14).
Fender Serial Numbers from 1976 (For Japanese Serial Numbers, scroll down) In late 1976, Fender decided to move to a new numbering scheme for their serialization. The numbers appeared on the pegheads and for the remainder of 1976 they had a prefix of 76 or S6 preceding a 5 digit sequence. In 1977, the serialization went to a letter for the decade, followed by a single digit for the year and then 5 to 6 digits. Examples of the letter/digit code follow like this: S for the ’70s, E for the ’80s, N for the ’90s, Z for 2000+. (I Do not know if you see what is happening here! Catch this: S = Seventies!, E = Eighties; N = Nineties; and then Z = zed? Interesting!) 1970s S (seen as) S8 - 1978 1980s E (seen as) E1 - 1981 1990s N (seen as) N2 - 1992 2000s Z (seen as) Z2 - 2002 While the idea seems rather simple, the reality often differed.
Sometimes instrument production did not meet the levels for which decals were produced—thus there are some overlapping years. Sometimes there are several prefixes found within a single year’s production, but generally, the system still gives a good guideline. And then you take off ther neck and find out it is 8 months or even a year off from the serial number! At least we have some reference to go!
Also note the N9 serial numbers. It was used for 1990 and 1999! Here is why: 'N'-prefix serial numbers denoting the 1990s were introduced in 1990. The numbers and decals were produced far in advance, and some N9 decals (denoting 1999), were inadvertantly affixed to some instruments in 1990.
Consequently, some 1990 guitars bear 1999 'N9' serial numbers. Another bit of confusion was the E4 serial numbers. The serial numbers on the 87- early 88 Strat Plus and newly introduced American Standard Strat models have caused some confusion due to the CBS buyout and the start up of the new plant in Corona, California. Many of the 1987 and later models will have a serial number that says one thing and the date in the neck pocket in the body or on the butt end of neck that says something different. Some have said this was due to the use of parts left over from the CBS buyout, or even serial number decals left over from CBS.
Onimusha psp game download. The very first Plus' will have an E4XXXXX serial number indicating they are from 1984. Truth is, it is a 1987-88, as production for the Plus Series started in mid-1987, while the parts might have been from—who knows???
ODD SERIAL NUMBERS NUMBER DESCRIPTION AMXN + 6 DIGITS California Series electric guitars and basses, '97 and '98 DN + 6 DIGITS American Deluxe series instruments, '98 and '99 NC(XXXXXX) Squier Strat Bullets (dating unclear) FN(XXXXXX) US made guitars and basses destined for the export market. Some may have stayed in the U.S or found their way back (Made to Standard Strat specs, dating unclear) I(XXXXXXX) A limited number of these 'I' series guitars were made in '89 and '90. They were made for the export market and have Made in USA stamped on the heel of the neck. LE(XXXXXX) Blonde Jazzmasters and Jaguars with Gold hardware made in 1994. There are several theories about why some Japanese Fenders have MIJ and others CIJ. One is that there was a reorganizing of where the parts were being make in the large, expansive Fugi Gen Gakki company.
Fender Japan Serial Number Decoder
The island of Matsumoto is where the Fugi plant is located. It houses 15-20 different smaller companies, Like Kawi, Gen Gakki Ten, Yamara, Gotoh, Yamoto, etc. I was told by a former Fender Rep that the necks were made one place and the bodies another, while the electronics were made in yet another.
I was told that the contract with Yamoto stated if any major subcontractor was to be changed the weaning process would have to take place (MIJ to CIJ). They call it the “Squire countdown.” Since Fuji was pressing hard to get the Epiphone contract, a change was made. Kawi was moving the bulk of their piano building to a new facility in China, and would also be making their own “harp” frames there. This freed up a lot of space in the plant. Yamara and Gotoh retooled to handle the woodwork and finish aspects of the guitars—thus the Crafted in Japan line was created. The other story is, and maybe both are true and run consecutively, I really don’t know, but the MIJ logo Fenders were for the USA market.
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USA Fender wanted to stop the import of these guitars to the USA due to firing up their Mexican plant and due to the “too good” quality Japan was creating which competed with the USA models. Regarding quailty, I have owned many of both these Japanese guitars and it is a fallacy that the Made in Japan models are better than the Crafted in Japan or vice versa. As far as I am concerned, the quality of either is much better than the Mexican made guitars and rival many of the USA models. The JV and SQ guitars, as well as some of the E series, had USA parts (mostly pickups, switches, and potentiometers) that were shipped over to Japan to help speed up production while the new USA plant was being set up in Corona, California. The early series are the most popular for collectors.
Also, some Crafted in Japan models came with Custom Shop parts, like special Limited Edition guitars and Signature guitars. The Japanese serial number can be confusing too. For instance, many of the MIJ/CIJ Telecasters have the serial number on the bridge and they start with an 'A'. Yet if you take the neck off they can be 1994-1997! As you look at these serial numbers, please note that the same “letter-prefix” on the serial numbers are used for two different sets of dates. The first being the “Made in Japan” date and the second is the “Crafted in Japan” date. Most of the “Made in Japan” and the “Crafted in Japan” guitars us a 6 digit number (But not all and excluding the A prefix!) Confused?
Fender Japan Serial Numbers
And then there are exceptions to the rule! AND now Japan as started making the MADE IN JAPAN guitars again and using old serial numbers. In another 5 years there is going to be sooo much confusion, it will not ne funny! A + 6 DIGITS 1985-1987, 1997-1998 (Made in Japan) and (Crafted in Japan) This was one of the most confusing serial uber used by Japan. They placed the 'A' on the bridge on the Telecasters and some of them could be as late as 1996 (as in the case with many JD Teles.
Fender JAPAN Serial Number Guide The following chart came from Fender Japan official Homepage (Japanese only) Fender Japan never announced the manufacturers detailed. The OEM contractors for Fender Japan are Fujigen, Dyna, Terada and Tokai. We are sure that JV and E serials are Fujigen made. Early production lot have the serial number on head under Fender logo mark. The serial starting from A,B,C. Serials are Fujigen, Terada and Dyna.
These serials were made by 3 manufacturers. But we could specify which manufacturer from the letter. Fujigen used like decal 'Made in Japan' in Gothic font at the end of neck. Terada's 'Made in Japan' is different Gothic font from Fujigen used. Dyna's 'Made in Japan' is like stamp on. From 1997, most of guitars were made by Dyna and Tokai as 'Crafted in Japan'. Particularly, Tokai made MIJ is in cursive style.
We could not 100% guarantee about this number guide. However, I've handled many FJ. This should be a guidance for reading Fender Japan serial.
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![]() Fender Japan Serial Number Dating
I first saw The Fender ‘Jerry Donahue’ Telecasters advertised in a UK magazine in mid April 1992, so presumably they arrived in the shops some time around the March of that year. There was an American Fender Custom Shop version with gold hardware, heavily figured maple neck, unbound basswood body with bird’s eye maple veneer front and back, and a “fetch me a chair” price tag of £1,589. And there was a Japanese (MIJ) version, with an edgebound body made from the typical FujiGen Gakki three-piece alder, and a plain-looking maple neck, bearing a suggested retail price of £450.
Discount wars being what they were with Fender Japan at the time, that would translate to somewhere between around £350 and £375 in the real world. And it’s this latter guitar I’m going to be looking at in this piece: a good old 1992 Fender MIJ ‘JD’ Telecaster. At the time, the rather maverick country-orientated guitarist Jerry Donahue was commonly talked about in the guitar magazines for his work with The Hellecasters. But it was the release of his Country Tech instruction video in January 1992 which had really got tongues wagging among the guitar playing community.
I myself had been out and bought Country Tech (it’s still lying around the house somewhere in VHS format), and it really was a fascinating insight into a remarkable playing style. What’s more, that tape, and Donahue’s work in general, had respect across the genres. A ‘Jerry Donahue’ Telecaster made sense commercially, because among guitarists, and in particular those who might be interested in a Telecaster, this was a big name artist, in the limelight.
The US Custom Shop version had the full “Jerry Donahue” signature on the headstock, but the MIJ model just said “JD”. So whilst the MIJ was listed in dealer ads and review headings as the Fender Japan ‘Jerry Donahue’ Tele, it was normally referred to as the “JD”. As much as anything else, that was an easy way to differentiate it from the gold-emblazoned USA job. In fact, the MIJ did very well in reviews, which was more than could be said for its Custom Shop sister, whose skyrocket price was always going to give the model a hard time. Construction-wise, the JD Tele can broadly speaking be considered a custom-shaped 1950s neck on a ’ body. It’s not an exact ’62 body because the neck pickup required a different cavity, but other than that I’m not aware of any difference. The neck profile was created to Jerry’s spec, with a clear and obvious ‘50s ‘V’.
‘V’ necks are not my favourites, but these weren’t as offensive as some I’ve used, and there really wouldn’t be much point in having a signature model if it wasn’t going to conform to the artist’s prefs. The bridge was also a ‘50s type, with heavy, pre-1954 brass saddles for a good, bright sustain. Headstock hardware was also classic ‘50s fare, as were the knobs and switch cap. But here’s where things departed from the old pre-CBS traditions A 3-ply black/white/black scratchplate, fixed with just five screws, and holding in place an alnico Strat pickup, in the neck position. Now things were looking different.
And they were sounding different too, because beneath the control plate lurked not a standard Tele selector switch, but a 5-way Strat switch, with a special wiring circuit. They subsequently changed the wiring circuit for these guitars, but this is how the original ’92 version was wired. Back Position: bridge pickup for the classic bright MIJ Tele sound. ‘In Between’: bridge and neck pickup together with a cap(acitor) ‘n’ phase generated approximation of the Strat ‘in between’ dual pickup tone. It was meant to do the ‘quack’ thing, but to my ears it had a synthetic quality and wasn’t greatly convincing. Middle Position: bridge and neck pickup together in standard format.
‘In Between’: neck pickup routed through tone control. Front Position: neck pickup on tone bypass. So apart from the back position sound, all offerings from the five-way were tones not normally found on Telecasters. In all honesty I’d have preferred Fender to bang another Strat pickup in the middle position and wire the guitar like a Strat. That arrangement does work extremely well on a Tele, and I much prefer ‘genuine’ in-between quack sounds (gained from a real middle pickup) to the fake approximation achieved electronically, but it was good to see a bit of experimentation. Just to add my customary advice on serial numbers for these instruments. They’re FujiGen Teles with bulk-stamped A0xxxxx vintage bridge plates (often A04xxxx on the early examples, but not necessarily), which means if you try to date them on the Internet you’ll most likely get a 1985/1986 classification.
For clarity, this model was definitely not introduced until 1992, so if the Internet tries to tell you you have a 1985/1986 example, don’t get excited – it’s just an error which no one seems to want to correct. You can’t date these vintage bridge MIJ Teles by their serial numbers. Whatever you thought of the Fender MIJ JD Telecaster as a design, it had that special seal of desirability which FujiGen Gakki routinely instilled into their Fender guitars. The (usually) lightish weight, the high level of personality, zing, zest and responsiveness, the precision build, the pretty aesthetics, and the affordable price. This was another winner from Fender Japan, and with the initials of 1992's Telecaster man of the moment on the headstock, it was assured a kick start on the road to prosperity.
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